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“Jess Prichard does a great job with the complexity of Thomas as he falls head-first into this dangerous game. Though he’s quite open and wistful when it comes to the sexy bits, he’s closed off and bitter when Vanda pokes at the misogyny inherent in his work… After opening up about why he wrote the piece (which Prichard does with uncomfortable intensity), Thomas lashes out, telling her where to stand, insulting and demeaning her…The tempo is aggressive, the scene work is very engaged, and the risks the actors take are amazing.” Iowa Theatre

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